Ir para o conteúdo
ou

Software livre Brasil

Tela cheia
 Feed RSS

Blog

27 de Maio de 2009, 0:00 , por Antonio Terceiro - | Ninguém está seguindo este artigo ainda.

SSID art?

6 de Maio de 2013, 0:00, por Software Livre Brasil - 77 comentários

SSID art?



using 16colors ANSI art web editor ~...

6 de Maio de 2013, 0:00, por Software Livre Brasil - 66 comentários

using 16colors ANSI art web editor ~ http://draw.sixteencolors.net/try/#



shapes generated by a genetic programming algorithm I’m...

2 de Fevereiro de 2013, 0:00, por Software Livre Brasil - 66 comentários











shapes generated by a genetic programming algorithm I’m working on.



what is creative coding? (via Awesome Universe of Creative...

8 de Janeiro de 2013, 0:00, por Software Livre Brasil - 99 comentários

what is creative coding?

(via Awesome Universe of Creative Coding, Explained in Five Minutes [Video])



the works of Manfred Mohr remember the evolved lines we are...

6 de Dezembro de 2012, 0:00, por Software Livre Brasil - 77 comentários







the works of Manfred Mohr remember the evolved lines we are currently working with.

amazing.

prostheticknowledge:

Manfred Mohr: one and zero 

Exhibition currently at the Carroll Fletcher Gallery, London, on Computer Art pioneer Manfred Mohr, which runs until the 20th of December:

All my relations to aesthetical decisions always go back to musical thinking, either active in that I played a musical instrument or theoretical in that I see my art as visual music… I was very impressed by Anton Webern’s music from the 1920s where for the first time I realized that space, the pause, became as important to the musical construct as the sound itself. So there are these two poles, one and zero.

Manfred Mohr

one and zero, Manfred Mohr’s first solo exhibition in London, presents a concise survey of his fifty-year practice. Harnessing the automatic processes of the computer, Mohr’s work brings together his deep interest in music and mathematics to create works that are rigorously minimal but with an elegant lyricism that belie their formal underpinnings. Through drawing, painting, wall-reliefs and screen-based works, the show examines the artist’s practice through the prism of music and the idea that what is left out is as important as what remains.

Beginning in 1969, Mohr was one of the first visual artists to explore the use of algorithms and computer programs to make independent abstract artworks.  His early computer plotter drawings - when he had access to one of the earliest computer driven plotter drawing machines at the Meteorology Institute in Paris - are delicate, spare monochrome works on paper derived from algorithms devised by the artist and executed by the computer.  P198aa (1977-79) is an elegant rhythmic composition of nine randomly rotated and cut cubes that hints at multi-dimensional space.

More about the show can be found at the gallery’s website here

Images above were taken from a Flickr set put together by Paul Prudence, which can be found here

One of the artist’s featured in my Algorists piece for Rhizome, which can be found here



Tags deste artigo: automata music livecoding livecoder labmacambira labmacambira.sf.net lisp python hacking gnome javascript mozilla meemoo vivace